A few of the problems of live sound mixing inside are reflections and standing waves developed by the dimensions and model of the rooms and the position of the stage in the room. This changes with an outdoor venue. There might be few or no reflections by having an outdoor stage hire. If there are reflections, there is usually a much longer delay before they go back to the stage. Sometimes specific frequencies will reflect from some surface but other frequencies will not be reflected to exactly the same extent. Often you will see less issues with feedback on an open outdoor stage hire. If there is a roof it is usually greater than in a club stage situation. Also there may be no walls or perhaps a right back wall to reflect sounds back once again to the microphones. Make a search on the below mentioned site, if you’re looking for additional information about truck stage hire.
Inside stages with close walls and ceiling can reflect sound back to the microphones whereas outside this really is often not really a problem. There are likely to be cancellation and reinforced areas which can be dependent on speaker location. These may well be more predictable with outdoor stage hire sound. If you utilize a stack on either side of the stage including subs you will have strong low end in the biggest market of the venue but there will also be cancellation points off target each side, usually between the center-line and the stacks. From a position directly in front of either stack you could hear the actual balance of the mix. With regards to the type of music and the amount desired a sound system may require more power and more speakers for an outdoor show. You may even need certainly to mike some things which are not needed in a team venue. Outdoor stages hire in many cases are bigger compared to stages in clubs, so you won’t have the maximum amount of bleed to the vocal mikes and other live mikes on stage.
When you yourself have the appropriate equipment it is simpler to mix outdoors because you’re not fighting the sound problems inherit in a room. You may need to have an input from each instrument as well as your vocal mikes. You may also find benefit when exercising doors to hold overhead mikes on the drum kit. Cymbals may bleed into vocal mikes on a team stage but may be lost on an outside stage. Also miking every person drum will give you more control when you have the mikes and channels available. Guitars and keyboards may must be in the mix for balance and dispersion. Many guitar cabinets tend to be beamy and the sound can drop off axis often dependent on frequency. The monitor system might also must be stronger for a sizable outdoor stage hire. Musicians may require more things in their monitors for timing. More monitor mixes are also desirable for outdoor venues. Usually for events other than concerts four mixes works well. A stage right, center stage, stage left, and drum mix allows you to give the musicians what they need to hear generally in most cases.